Published for Baldwin- Wallace College. Columbia University Press. New York, ig. 6o. MUSIC LIBRARY. My mind is crowded with memories at this moment. Albert Riemenschneider, and of. At his suggestion we are naming this. It was his father in particular who instilled. His mother, though lacking the very fine. When my husband was about nineteen years old. Mr. Rogers of. Cleveland, he came to the decision that he would devote his. Since an organist's reper- . Johann Sebastian. Bach, he naturally began to use his carefully hoarded savings. Bach's organ works. The next. steps were collecting Bach's numerous works in other fields. It was some time. Bach collection we had, that he began to gather catalogs. United States and abroad. He. also made the acquaintance of many of these book dealers. I would pay them a visit. During these trips, too. Marcel Dupre. who was a fellow student of Guilmant and Widor then. Es geht bei diesen Begriffen vor. Doch ihre Position ist schwach gegen Bei soviel Respekt vor Tod und Elend aus dieser Zeit wollen wir heute bereits die in der.
Frau Dr Sylvia Mattl-Wurm; die beiden Leiterinnen. Die Zahl der Unternehmerinnen in Wien stagniert bei ungef. Denn solange Scharia und Fiqh nicht h. Te Chinese Historical Ethnographic Film Series 1957-1966. One. of the most decisive influences upon my husband's life and. Dr. Albert Schweitzer, who had. Widor a few years previously. It was not long. before he and my husband began an interesting corres- . Bach and the organ. This relation- . ship was most precious to my husband. Our very first opportunity was a. Bach Society of Paris with Guilmant at. It included various cantatas of Bach and proved. These. cantatas inspired him to attempt the presentation of smaller. Bach and even the Magnificat on the campus. Baldwin- Wallace College at Berea, Ohio, where he was. Director of the growing Conservatory of Music for over fifty. Riemenschneider. made the acquaintance of Dr. Henry Drinker of Merion. Pennsylvania. A beautiful friendship developed between the. Bach and his. works. In addition to hearing the Bach festivals in Bethlehem. I planned a trip to Europe in 1. Bach) for the. express purpose of hearing two great Bach festivals . The concerts were held in many different. Bach in Leipzig, most of. St. Following this festival at. Leipzig, we made a trip to Eisenach and to other small towns. Leipzig where Bach had worked. There we. saw one of the churches where Bach's first wife had been. Bach had opened and played. This trip added con- . Bach. My husband felt strongly that there. Middle West. The. Bach festivals. I remember at that time my husband's. Bach collection would be in- . And so it has. proved to be. This Bach library has also been the basis for. Bach's works, and he. Bach organ recitals, which. Baldwin- Wallace campus. His complete. rendition of these organ works in a special series of recitals. It is. my earnest hope that I may, as long as I live, do my full part. RIEMENSCHNEIDER. The classification and a large part of the cataloging of the. Emilie and Karl Riemenschneider Memorial Bach Library. Edythe Backus. Although it has not. Miss Backus compiled in the course of her. Omissions are, for the most. There are. also in the library four other files which Miss Backus set up. These are. the plate- number file, the publishers' file, the chronological. These are the. Clavieriibung, Part I (Six Partitas) ; the variations for organ on. While a. similar subdivision is perfectly feasible in some of the other. These editions are simply listed. The composer's name has been. The. cantatas are arranged numerically, and the distinctive. German titles are given in the first heading of each canta- . These titles are omitted from the entries unless the text. For these editions, as well. German, the distinctive. A simple alphabetical listing seems. Temperirte, Temperierte; Clavier, Clavir, Klavier, Klavir). A. chronological listing was rejected partly because many of the. A listing. by publishers has already been published by Albert Riemen- . Notes for the Music Library Association, No. The final decision to arrange them by. But since all con- . In. the case of the Well- tempered Clavier a further liberty has been. Riemenschneider Library. Haselden, librarian of Baldwin- Wallace College. Cecil W. Munk, Director of the Baldwin- Wallace Con- . Jeanette Beebe, reference librarian of Baldwin- . Wallace, performed the arduous task of proofreading and. Alice Hall, cataloger of the. Mabel Knapp, music cataloger of the Cleveland. Public Library, gave generous assistance on bibliographical. A great deal of help was provided by Richard S. Campbell of the. Library of Congress in connection with bibliographical re- . An indispensable part of the project was the. Baldwin- Wallace College . KENNEY. Bryn Mawr, Pennsylvania August, ig. Abbreviations Used in Catalog. P. N. Thematisch- systematisches Ver- . Werke Joh. Riemenschn eider v. MUSIC LITERATURE i. MUSIC OF CONTEMPORARIES AND SONS OF. JOHANN SEBASTIAN BACH 4. MANUSCRIPTS 4. 9. PUBLISHED MUSIC 4. MUSIC OF JOHANN SEBASTIAN BACH 5. MANUSCRIPTS 5 1. PUBLISHED MUSIC 5. Complete Works 5. Selected Works 5. Aria mit 3. 0 Veranderungen 5. Excerpts and Arrangements, 5. Aria variata alia maniera italiana 5. Arias, Collected 5. Collections, . 2 2. Complete, 2. 00; Selections, 2. Oster- Oratorium, 2. Weihnachts- Oratorium, 2. Organ Works 2. 04. Collections, 2. 04; Selections, 2. Johannespassion, 2oy; Lukaspassion, 2og; Matthduspassion, 2og. Pastorale in F Major (Organ) 2. Clavier, 2. 14; Organ, 2. Preludes and Fugues, Clavier 2. Preludes (Fantasies or Toccatas) and Fugues 2. Organ, Collections, 2. Organ, Arrangement, 2ig. Organ, Selections, 2ig; Organ, Single Works, 2. Flute, Unaccompanied, 2. Flute and Clavier, 2. Flute. Clavier, and Violin, 2. Organ, 2. 24; Viola da Gambr and. Clavier, 2. 26; Violin, Unaccompanied, 2. Violin and. Clavier, 2. Two Violins and Clavier, Trio Sonatas, 2. Songs, Sacred 2. 32. Collections, 2. 32; Arrangements, 2. Songs, Secular 2. Collection, 2. 34; Arrangement, 2. Clavier, English Suites, 2. Clavier, French Suites, 2. Clavier, Partitas, 2. Clavier, Suites in F Major. F Minor, and A Major, 2. Orchestra, 2. 46; Violin and. Clavier, 2. 48; Violoncello, 2. Clavier, Collections, 2. Clavier, Single Works, 2. Organ, Single Works, 2. Das Wohltemperierte Klavier, Books I and II 2. Listed Alphabetically by Editor, 2. Listed Alphabetically. Publisher, 2. 65; Selections, Arrangements, 2. Das Wohltemperierte Klavier, Book I 2. Selections, Arrangements, 2. Single Works, 2'ji. Das Wohltemperierte Klavier, Book II 2. Selections, Arrangements, 2. Single Works, 2y. INDEX TO CANTATAS: Tides 2. GENERAL INDEX 2. 83. Catalog of the. EMILIE AND KARL RIEMENSGHNEIDER MEMORIAL. MUSIC LITERATURE. Handbuch der Musikgeschichte. Frankfurt. Frankfurter Verlags- Anstalt, 1. A Census of Autograph Music Manuscripts. European Composers in American Libraries. Philadelphia. University of Pennsylvania Press, 1. Allgemeine Musikzeitung. Rhein- Westfalische Musikzeitung und. Suddeutscher Musik- Kurier, Wochenschrift fiir das Musikleben der. Gegenwart. Berlin, Breitkopf & Hartel . Vol. 1. 2, 2. 6 (1. Vol. Ambros, August Wilhelm. Bunte Blatter, Skizzen und Studien fiir. Freunde der Musik und der bildenen Kunst . Geschichte der Musik, Mit zahlreichen Notenbeispielen und. Musikbeilagen. Dritte, ganzlich umgearbeitet Auflage. Leuckart, 1. 88. 7, 1. I- III are third ed., the first dated 1. IV is the first ed., dated 1. Vol. V is the. second ed., dated 1. Harvard Dictionary of Music. Cambridge, Mass.. Harvard University Press, 1. Memoirs of Doctor Burney. Madame d'Arblay. London. Edward Moxon, 1. 83. Audsley, George Ashdown. The Art of Organ- Building, A com- . MUSIC LITERATURE. New York, Dodd, Mead. London, Th Vincent Music Company, 1. Bach, Carl Philipp Emanuel. Essay on the True Art of Playing. Keyboard Instruments. Translated and edited by William J. Versuch iiber die wahre Art das Clavier zu spielen mit. Exempeln und achtzehn probe- Stiicken in sechs Sonaten erlautert. Georg Ludewig. Winter, 1. II. Carl Philipp Emanuel Bachs Versuch die wahre Art das Clavier zu. Vo. Uweiler on front flyleaf. Archer on front pastedown. On half- title of. Brahms, and. Marie Schumann. Versuch iiber die wahre Art, das Klavier zu spielen, Kritisch. Neudruck nach der unveranderten, jedoch verbesserten. Auflage des Originals, Berlin 1. Mit einem. Vorwort und erlauternden Anmerkungen versehen von Dr. Bach, Johann Sebastian. Johann Sebastian Bach Briefe Gesamt- . Auftrage des Internationalen Musiker- . Brief- Archives von Hedwig u. Zweite ver- . mehrte Auflage. Regensburg, Gustav Bosse . Johann Sebastian Bach Documenta. Herausgegeben durch. Niedersachsische Staats- und Universitatsbibliothek von Wilhelm. Martin Luther zum Bachfest 1. Gottingen. Kassel & Basel. Barenreiter . Kurtzer, iedochhochstn. Entwurff. Herausgegeben vom. Bach- Archiv Leipzig. Leipzig, Deutscher Verlag fiir Musik . Ill in the Bach- Archiv. Title page and. commentary by Werner Neumann at end of text. Herausgegeben von der Neuern. Bachgesellschaft. Leipzig, Breitkopf & Hartel . Bachmann, Luise George. The Heart Ever Faithful, The Story of. John Sebastian Bach, 1. Der Thomaskantor; Introduktion, Toccata und Fuga iiber. B- A- C- H. Paderborn, Ferdinand Schoningh, 1. Baker's Biographical Dictionary of Musicians. U., 1. 09. 4 pp., 2. A Supplement to the Biographical Dictionary of Musicians. Baldwin- Wallace College, Conservatory of Music. Bach Festival. Programs with Text and Descriptive Notes. The Tone Masters, A Musical Series for Young. People Bach and Beethoven. Boston, Musical Herald Company. Added title page : The Tone Masters. The New. England Conservatory of Music Publishers. Johann Sebastian Bach, Ein Lebensbild von. Hermann Barth, Mit elf Bildern. Berlin, Alfred Schall . Johann Sebastian Bach im musikalischen und. Leben Heidelbergs . Das musikalische Heidelberg seit den Kurf iirsten . Dem. zaubrischen Dreiklang: Deutscher Geist, Deutscher Musik, Heidel- . Hohen, Tal und Walder. Heidelberg, Hermann Meister . Leipzig, Philipp Reclam, jun. La Trente- Deuxifeme Cantate de Bach . Bachs Passion, Die nordische Tragodie. Johann Sebastian Bach Frommigkeit und Glaube. Band I: Deutung und Wirklichkeit das Bild Bachs im Wandel der. Kirchen- und Geistesgeschichte. Kassel. und Basel, Barenreiter- Verlag . Bach ; Anmerkungen und Hinweise. Zweite, neu- . gestaltete und erweiterte Ausgabe. Berlin, im Furche- Verlag, 1. Bach, Eine Kunde vom Genius. Berlin, im Furche- Verlag. Carl Philipp Emanuel und Wilhelm.
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